“Plumbing’s Our Game.” – honestly, taglines are a lost art
Directed by Aaron Horvath (Teen Titans GO! to the Movies) and Michael Jelenic (directorial debut)
Starring Chris Pratt (Jurassic World: Dominion), Anya Taylor-Joy (Emma), Charlie Day (Pacific Rim: Uprising), Jack Black (Jumanji: Welcome to the Jungle), Keegan-Michael Key (Toy Story 4), Seth Rogen (The Green Hornet) and Fred Armisen (The Mitchells vs. the Machines)
A Brief History of Mario
Back in 1981, the video game Donkey Kong brought a little Japanese company called Nintendo to international notice. It featured a giant ape kidnapping a lady named Pauline, and a man in red known either as ‘Jumpman’ or ‘Mr Video’ trying to rescue Pauline by jumping over barrels and climbing ladders. Intended as a throwaway character, by 1982’s Donkey Kong Jr., he was given the name Mario and became the villain of the piece. Then, 1983 arcade game Mario Bros. saw Mario and his brother Luigi become heroes, and when the arcade game got a sequel on the Nintendo Entertainment System it was known as Super Mario Bros. A franchise was born.
In Super Mario Bros., Mario traversed side-scrolling, 2D platform levels to rescue Princess Peach from Bowser (aka King Koopa) and his various troops. Over forty years of games, the lore of the franchise was expanded and convoluted: Luigi, originally a colour-swapped Mario, became a distinct character, taller, leaner and more cowardly; additional characters were added – Princesses Daisy and Rosalina, various Toads (toadstool beings who mostly served Peach,) various goons for Bowser, including the magician Kamek; Mario’s evil counterpart Wario and his unrelated partner-in-crime Waluigi – sometimes the characters raced go-karts, or competed in party games to determine who was the ultimate super star; sometimes they were made of paper and menaced by a terrifying Origami King.
Often, Mario’s loveable sidekicks would straight-up die at the end of a game. The increasingly cowardly Luigi was lured into exploring no fewer than three haunted mansions. Peach got her shit together and took a lead role in some games, although she still needed rescuing occasionally. The characters played golf and tennis, and even competed in the Olympic Games alongside the characters of the rival Sonic the Hedgehog franchise.
The brothers got several TV adaptations, and a famously bad film outing in 1993 starring the late, great Bob Hoskins (The Long Good Friday) and John Leguizamo (John Wick) as Mario and Luigi, and Dennis goddamn Hopper (Easy Rider) as the distinctly not a big lizard ‘President Koopa’.
There was a whole thing about a breach to an alternate reality where the dinosaurs didn’t go extinct, Princess Daisy (Samantha Mathis, Broken Arrow) hatched from an egg left at apparently the only Catholic orphanage in New York that wasn’t going to go ham on a baby that hatched from an egg. The Mushroom Kings was a neo-noir nightmare fresh off the backlot of Blade Runner. The goombas were weird-looking dinosaur dudes instead of mushrooms, Koopa wanted to merge the alternate worlds with a magic meteroite; there was a scene where Luigi incapacitates a lift full of goombas by making them sway to ‘Lara’s Theme’ from Doctor Zhivago (assuming I didn’t imagine that.)
It was a lot. (Fun fact, although I’ve never reviewed it here, the line ‘this ain’t no game,’ which became my tag for video game adaptations, comes from this movie.)
So, thirty years later, with video game movies making a comeback thanks to Sega’s blue hedgehog, could a new Mario project – this one an animated movie from Minions creators, Illumination – make the grade?
Mario (Pratt) and Luigi (Day) are brothers, who have just set up their own plumbing business. Plagued by misfortune, they nonetheless set out to help when their neighbourhood is threatened with flooding. In locating and capping a water main, they stumble on and into a network of pipes which transport them to another world.
Continue reading Rebourne: The Super Mario Bros. Movie (2023)