Directed by Zack Snyder (and Joss Whedon) Starring Gal Gadot, Ben Afflex, Jason Momoa, Ray Fisher, Ezra Miller, Henry Cavill and Ciaran Hinds
In the wake of Superman’s death, the world is going a bit crazy. Wonder Woman (Gadot) and Batman (Afflek) try to keep a lid on things, but when Steppenwolf (Hinds) shows up and steals an artefact called the Mother Box from the Amazons, it’s time to bring together the metahumans identified by Lex Luthor (Jesse Eisenberg): Arthur ‘Aquaman’ Curry (Momoa), Barry ‘The Flash’ Allen (Miller), and Victor ‘Cyborg’ Stone (Fisher).
Directed by Matt Reeves Starring Andy Serkis, Woody Harrelson, Steve Zahn, Karin Konoval, Terry Notary and Amiah Miller
Two years after the events of Rise of the Planet of the Apes, a military force led by a ruthless special forces Colonel (Harrelson) are hunting for the tribe of intelligent apes led by Caesar (Serkis). With the aid of their ‘Donkeys’ – apes formerly loyal to Koba (Toby Kebbell) and now working as weapon carriers and scouts for the humans – a unit of this force attacks an Ape outpost, but is defested. Wanting to avoid all-out war, Caesar spares a number of human captives and determines to set out for a new home scouted by his son, Blue-Eyes (Max Lloyd-Jones), and trusted aide Rocket (Notary). Unfortunately, he is betrayed, and his wife Cornelia (Judy Greer) and Blue-Eyes are killed.
Directed by Jon Watts Starring Tom Holland, Michael Keaton, Jon Favreau, Zendaya, Donald Glover, Tyne Daly, Marisa Tomei, Robert Downey Jr.
After his debut in Civil War, Peter Parker (Holland), aka Spider-Man, is keen to get his teeth into superheroing. With Tony Stark (Downey) keeping him at arm’s length from the Avengers, he fights local crime while reporting to Happy Hogan (Favreau) and cutting back on his extra-curricular activities – including academic decathlon with love interest Liz (Laura Harrier), best mate Ned (Jacob Batalon), jerk jock (in as much as a tech academy has jocks) Flash Thompson (Tony Revolori) and girl of mystery Michelle (Zendaya) – in preparation for his next mission.
Directed by Jordan Vogt-Roberts Starring Tom Hiddleston, Samuel L Jackson, John Goodman, Brie Larson, Jing Tian, Toby Kebbell, John Ortiz, Corey Hawkins, Jason Mitchell, Shea Whigham, Thomas Mann, Terry Notary, John C. Reilly
1933’s King Kong was a black and white movie about a movie crew looking for a lost island, finding a giant ape which is in no way a grotesque caricature of a black man. The ape, Kong, falls in love with the starlet – on some level or other – and the crew catch him, then bring him back to New York, where he escapes and is shot from the top of the Empire State Building by biplanes. It was remade in a contemporary setting in 1976, and again in its original era in 2005 by Peter Jackson. In 1962 Kong was added to the Toho studios kaiju universe in Godzilla vs. King Kong.
The Latest Remake
During WWII, American and Japanese pilots crash land on an island where their attempts to kill one another are interrupted by the appearance of a giant gorilla. In 1974 the island is picked up on satellite imagery. Bill Randa (Goodman), biologist San Lin (Jing) and geologist Houston Brooks (Hawkins) of Monarch tag along with a Landsat survey team to look for monsters. They recruit a helicopter platoon on the way back from Vietnam, lead by Colonel Packard (Jackson) and professional tracker and ex-SAS badass Conrad (Hiddleston), while anti-war photographer Mason Wheeler (Larson) gets herself attached to the survey.
This may seem like a lot of characters, but wait; there’s more. Captain Chapman (Kebbell), a major heading home to his family; Landsat official, Nieves (Ortiz); and members of the platoon including Mills (Mitchell), Cole (Whigham), Slivko (Mann) and Reles (Eugene Cordero).
A man absconds from an institution in the dead of night, taking a group of children with him, but not his own son. Years later, the oldest of the children, Max (Evans) is their de facto leader and forces them to remain hidden. They are the Flock, a group of experimental hybrids of human and avian DNA, and as a result have fully functioning wings that retract fully into their skinny-ass teenage bodies and other bird-related powers, like enhanced hearing and telepathy. You know, like birds have.
Directed by David Lowery Starring Bryce Dallas Howard, Oakes Fegley, Wes Bentley, Karl Urban, Oona Laurence, Robert Redford
Pete’s Dragon is the tale of a young boy and his friendship with a magical dragon named Elliot, whose ability to become invisible makes most people assume he’s imaginary. Pete and Elliot stumble into a quaint little town, where Pete is taken in by the lighthouse keeper and his daughter, while being pursued by the violent redneck family who in some means purchased him and wish to assert their ownership. Meanwhile, Dr Terminus is in town, a quack doctor looking to go ‘legit’ by selling remedies made from slicing up Elliot. At the end, Pete has a family, and so Elliot goes off to help the next child in need, as magical friends in disney movies of the era were wont to do.
Both the child slavery angle and the threatened violent dismemberment of a sentient being are, of course, discussed through the medium of jaunty, upbeat singing. It’s not terrifying like, say, Darby O’Gill and the Littel People is terrifying, but it is weirdly dark given the tone of the songs, or possibly vice versa. In particular the cheery tune of the number ‘We Got a Bill of Sale Right Here’, and the fact that no one seems to question the Gogans’ claim to ‘own’ Pete on any sort of legal grounds, worries me.
70s Disney; it’s its own brand of messed up.
In 1977 a car crash kills a couple and strands their young son, Pete, in the forest. Six years later, Pete (Fegley) is living in the care of a displaced dragon he has named Elliot. As a logging operation moves into his home, he is spotted by Natalie (Laurence), the daughter of the foreman, Jack (Bentley), and soon after found by Jack and his fiancee Grace (Howard), a forest ranger. He is eager to get back to Elliot, but his discovery has already led Jack’s brother Gavin (Urban) to find Elliot.
Directed by Nic Mathieu Starring James Badge Dale, Emily Mortimer, Max Martini, Bruce Greenwood and Ursula Parker
Incongruously pacifist DARPA researcher Mark Clyne (Dale) is called to war-torn Moldova to investigate a series of attacks by seemingly invisible enemies, detectable only using the hyper-spectral goggles developed by his team. The local General (Greenwood) and CIA liaison Fran Madison (Mortimer) think that the enemy insurgents are using active camouflage, while the locals blame the deaths on restless spirits. Clyne’s job is to get a decent picture of the attackers and help a Delta Force team led by Major Sessions (Mancini) to capture a sample of the active camo.
Directed by Stephen Sommers Starring Treat Williams, Famke Janssen, Kevin J. O’Connor, Anthony Heald and Wes Studi
Boat pilot Finnegan (Williams) and his engineers Fantucci (O’Connor) and Leile (Una Damon) are hired by the sinister Hanover (Studi) to transport his team of goons to a mystery location in the middle of the ocean. They soon discover that their passengers are mercenary bandits, intent on robbing the colossal cruise liner Argonautica. Unfortunately, the liner has much worse problems.
Directed by David Yates Starring Eddie Redmayne, Katherine Waterston, Dan Fogler, Alison Sudol, Ezra Miller, Samantha Morton, Jon Voight, Carmen Ejogo and Colin Farrell
Harry Potter. Seriously, if you’ve been sufficiently living under a rock to not know, I can’t remotely do it justice here, but I will pencil in a massive rewatch and review sometime after I find the time for my Jackson-Tolkien extended editions marathon.
The important thing, vis a vis Rebourne, is that after seven books – made into eight movies, because the last book is always two movies – JK Rowling swore up and down that she was done with the boy wizard and off to writing grim and gritty detective fiction. And technically that still holds, as someone else wrote the script for the two-part stage play Harry Potter and the Cursed Child and this film is actually a prequel without Harry or any of his immediate relatives (the nearest it gets is a photo of his godfather’s aunt.)
The Totally Unexpected Prequel
In 1926 the US magical establishment, headed by President Picquery (Ejogo), is in turmoil as a series of seemingly magical events, and the actions of dark wizard Gellert Grindlewald, threaten to reveal the magical world to the No-Maj (American for Muggle) community. Unto this came Newt Scamander (Redmayne), a hapless-looking chap with a suitcase full of magical beasts. A series of accidents lead to Scamander crossing paths first with No-Maj wannabe baker Jacob Kowalski (Fogler) and then with ex-Auror Tina Goldstein (Waterston), and his case being swapped for Kowalski’s.
“For Howard, things are about to get R’lyeh crazy.”
Directed by Sean Patrick O’Reilly Starring Christopher Plummer, Ron Perlman, Jane Curtin, Sean Patrick O’Reilly and Kiefer O’Reilly
Howard Lovecraft (Kiefer O’Reilly) is a melancholy boy, troubled by his father’s descent into madness, which has left as his only caregiver a mother who thinks that taking a small child to visit his dangerously unstable father in an Arkhamesque asylum (it may in fact be the original Arkham Asylum) run by dodgy occultist snarkmeister Dr West (Plummer) is a grand plan. Likewise replacing a bedtime story with just handing him his father’s journal of increasingly deranged scribblings to read as he goes to sleep.