“Open your mind. Change your reality” or “Question reality. Change your destiny” or “The impossibilities are endless.”
Directed by Scott Derrickson Starring Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Tilda Swinton and Mads Mikkelson
Dr Stephen Strange (Cumberbatch) is a brilliant, but arrogant, neurosurgeon, pioneering new techniques while telling War Machine to take his entirely pedestrian spino-cranial injuries elsewhere. Then he gets into a car crash because he’s using his phone while driving at high speed in the rain – we get it already, he’s reckless – and loses most of the use of his hands.
Directed by Bryan Singer Starring Hugh Jackman, Jennifer Lawrence, Jame McAvoy, Michael Fassbender, Patrick Stewart, Ian McKellan, Nicholas Hoult and Peter Dinklage
Almost a decade before the Marvel Cinematic Universe struck gold, the company’s go-to allegory for prejudice hit the big screen with X-Men (2000). The property had gained considerable traction thanks to an acclaimed 1990s animated series, and in the hands of The Usual Suspects director Bryan Singer, mutants took the world by storm (almost literally, as the release coincided with co-star Halle Berry’s Oscar, resulting in a much larger, if somewhat inconsistent, role in the sequel.) A direct sequel – X2 (2003) – was widely held to be even better, but 2006’s disappointing X-Men: The Last Stand squandered the goodwill – save perhaps for the little bit that was then pissed away by X-Men Origins: Wolverine (2009) – and threatened to kill the series dead.
The Reboot/Late Sequel
The actual reboot of the series came with 2011’s X-Men: First Class, a 1960s set Cold War adventure, with McAvoy and Fassbender as the younger versions of feuding leaders Charles Xavier and Magneto, previously portrayed in their more patrician years by Stewart and McKellan. First Class did a lot to win back fans with its portrayal of the early years of the X-Men and the break between the two men, and hopefully I’ll get to reviewing that, but then Days of Future Past appeared in 2014 as a late sequel to the original trilogy, as well as a reasonably timed sequel to First Class and so converted the straight reboot into a Star Trek-syle in-universe soft reset of the series as a whole through time travel shenanigans.
Directed by Anthony Russo and Joe Russo Starring (deep breath) Chris Evans, Robert Downey Jr, Scarlett Johanssen, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Emily Van Camp, Tom Holland, Daniel Bruhl and William Hurt
After a brief flashback of the Winter Soldier’s (Stan) cold war career, we see the current Avengers taking down former SHIELD/HYDRA agent Brock ‘Crossbones’ Rumlow, in a fight which ends up devastating a Lagos office block. As a result, the UN ratifies the Sokovia Accords, legislation to regulate the Avengers under the control of a UN panel. Tony Stark (Downey Jr.), wracked with guilt over the Ultron affair, is for it, but Steve Rogers (Evans) is agin it, given his experiences operating under oversight.
Directed by James Mangold Starring Hugh Jackman, Rila Fukushima, Tao Okamoto, Hiroyuki Sanada and Svetlana Khodchenkova
Logan (Jackman) – aka Wolverine – dreams of his past, and an encounter with a Japanese officer and a certain Fat Man at Nagasaki. He wakes in the woods, haunted by nightmares of Jean Grey (Famke Janssen) relating to X-Men: The Last Stand, which is understandable. He is drawn out of his self-imposed retirement to avenge a bear poisoned by stupid hunters, then lured to Japan by Yukio (Fukushima), a retainer to Yashida, the officer Logan saved in Nagasaki.
Following on from my Ant-Man review and ‘Marvel Needs Women‘, I am planning post-Summer of Lovecraft to do a season of Marvel Cinematic Universe reviews. Before that, however, I thought I might as well do the almost obligatory ‘ranking the MCU’ post.
Originally posted at My Life as a Doge. I’ve put it here as well as part of a notion that I might review all of the MCU releases to date now that I’m not restricting myself to unequivocally bad movies.
It is not infrequently noted that it is a crying shame that the cinematic juggernaut that is the MCU doesn’t have more female headliners, and just as common for such rejoinders to be offered as: “But it’s got Black Widow,” or “The Captain Marvel movie is in the works,” or “Jane Porter is a strong female character, even if she doesn’t do much fighting,” and all of these are true, but it is still the case that there has yet to be a female headliner. As awesome as many of them are, all of Marvel’s female characters to date are supporting roles. The most common response when the absence of female characters in any given film is mentioned is ‘but this film is about [male character X], and you can’t hold this movie responsible for the general dearth of female leads in Hollywood’. This is, as far as it goes, true, but the thing about the MCU is that it isn’t just one film, it’s twelve films, with another ten already scheduled for Phase 3, and three ongoing TV series with four more in the works (and in fairness, two of those – Agent Carter and Jessica Jones have female leads,) plus one shots, tie-ins and a colossal presence in the cultural zeitgeist.
Directed by Peyton Reed Starring Paul Rudd, Evangeline Lilly and Michael Douglas
Dr Henry Pym (Douglas), genius and pre-Avengers SHIELD super-soldier, resigns when he discovers the Division is trying to replicate his atomic compression research, but years later learns that his protege Darren Cross (Corey Stoll) – having taken control of his company – is on the verge of releasing the same technology onto the world.