Directed by Aleksander Bach
Starring Rupert Friend, Hannah Ware, Zachary Quinto and Ciaran Hinds
Hitman began life as a series of successful computer games, in which the player controls Agent 47, the ‘perfect assassin’; six-four of shaven-headed, barcode tattooed white beefcake with the ability to disguise himself as a Chinese waiter. Using said mastery of disguise and an arsenal of weapons, the player must plan and execute an assassination to meet the terms of a contract. Some of the games have an ongoing plot i which a series of unconnected jobs add up to a conspiracy, but some are just a series of jobs, and their appeal is not story so much as the replay value inherent in trying various approaches to perfect each kill. The game series was first adapted into a movie in 2007. Hitman was a frankly appalling film in which 47 – played without engagement by Timothy Olyphant, fresh from critically acclaimed yet cancelled TV series Deadwood and with payments due on the mortgage – is betrayed by his superiors as part of an insanely moronic plot to seize control of Russia by treating the entire world as if they were idiots.
So, apparently someone at 20th Century Fox really believed in the potential of a Hitman movie, because despite a modest commercial success and critical mauling, and Timothy Olyphant going on record on the Nerdist podcast to confirm that bit about the mortgage, the collapse of a planned sequel, and the death of intended new Agent 47 Paul Walker, just eight years later they decided to reboot.
In this version, Agent 47 (Friend) is sent to assassinate the founder of the Agent programme, Petr Litvenko (Hinds) and his daughter, Katia Van Dees (Ware), for reasons that are never adequately explored, but possibly as part of a shadow war between two ideologically indistinguishable conspiracies. Katia is initially protected by international man of mystery John Smith (Quinto), before he is revealed as an agent for the Syndicate, the enemy of 47’s International Contracts Agency.