Directed by Jon Watts Starring Tom Holland, Michael Keaton, Jon Favreau, Zendaya, Donald Glover, Tyne Daly, Marisa Tomei, Robert Downey Jr.
After his debut in Civil War, Peter Parker (Holland), aka Spider-Man, is keen to get his teeth into superheroing. With Tony Stark (Downey) keeping him at arm’s length from the Avengers, he fights local crime while reporting to Happy Hogan (Favreau) and cutting back on his extra-curricular activities – including academic decathlon with love interest Liz (Laura Harrier), best mate Ned (Jacob Batalon), jerk jock (in as much as a tech academy has jocks) Flash Thompson (Tony Revolori) and girl of mystery Michelle (Zendaya) – in preparation for his next mission.
Directed by Michael Bay Starring Mark Wahlberg, Laura Haddock, Josh Duhamel, Anthony Hopkins, Santiago Cabrera and Peter Cullen
In the wayback, King Arthur and his knights triumph over the Saxon hordes when the ‘wizard’ Merlin (Stanley Tucci) brings a group of twelve Autobots to join them in the form of King Gidhora.
Centuries later, Optimus Prime (Cullen) is drawn back to Cybertron, where his mission to destroy his creator is interrupted as Quintessa (Gemma Chan), self-styled ‘goddess of life’, delivers the bitch-slap of obedience and tasks Prime to retrieve her staff of power, given to Merlin long ago.
Directed by Dan Trachtenberg Starring John Goodman, Mary Elizabeth Winstead and John Gallagher Jr.
Following an argument, Michelle (Winstead) leaves her home – in an opening scene clearly derived from Psycho – and drives through rural Louisiana, where her car is hit and pushed off the road. She wakes up, chained to a wall in a bunker belonging to Howard (Goodman), a prepper who tells her he saved her life from an attack by party or parties unknown which has left the world’s air contaminated. The two of them and Emmett (Gallagher), a young man who helped Howard to construct their shelter, are sealed into the bunker to wait out the worst.
Directed by Alex Kurtzman Starring Tom Cruise, Annabelle Wallis, Sofia Boutella, Jake Johnson, Courtney B. Vance, Marwan Kenzari, Russell Crowe
The first Mummy movie – and, as the original Universal Mummy, the direct ancestor of this current version – was The Mummy (1932), starring Boris Karloff as Imhotep, an Egyptian priest, mummified alive for the blasphemy of trying to restore his girlfriend Ankh-es-en-amon. Restored to life by someone carelessly reading aloud from a scroll, Imhotep seeks forthe reincarnation of his love, intending to kill and mummify her, so that Ankh-es-en-amon can be returned as an immortal mummy. In the nick of time, the girl in question remembers enough of her past life to call on Isis, whose statue ends Imhotep’s unlife with a god laser to the magic scroll.
There have been roughly a shit-tonne of mummy movies since, including a Hammer Horror series, beginning with The Mummy in 1959 which featured Christopher Lee as the title character, Kharis.
The Hammer series wrapped up with Blood from the Mummy’s Tomb in 1971, a rather histrionic adaptation of Bram Stoker’s ‘Jewel of the Seven Stars’ which featured a rare instance of a female Mummy (Valerie Leon).
The next major entry – as opposed to direct to video efforts – was Stephen Somers The Mummy, a 1999 super-loose remake of the 1932 film, but bigger, dumber and just… a whole lot of fun. Featuring Brendan Fraser as adventurer Rick O’Connell and Rachael Weisz as librarian Evelyn Carnahan, this version was a rollicking adventure with an emotionally tough heroine who displayed genuine agency. It was followed by the vastly inferior The Mummy Returns (2001) and The Mummy: Tomb of the Dragon Emperor (2008), which had an interesting idea, but poor execution and a marked lack of Weisz (Maria Bello stepping into the role with an iffy accent.) It also span off the Scorpion King series, so there’s that to thank it for.
The new version is the first film in the ‘Dark Universe’, Universal’s somewhat delayed (DraculaUntold was intneded to be the first, but has since been detached from the franchise) attempt to get on the expanded universe gravy train.
In 1197, a group of crusader knights bury their comrade with a significant red gem. In the present day, the tomb is discovered by Crossrail excavation and taken over by a mysterious group of archaeologists in black, led by a man we will later learn to be Dr Henry Jekyll (Crowe), who proceeds to translate and narrate the story of Ahmanet (Boutella), an Egyptian princess of the New Kingdom who responded to being disinherited in favour of her infant brother by murdering her father, stepmother and the baby after making a pact to bring the god Set into the world. Prevented from completing the ritual, she is mummified alive and buried far from Egypt.
Directed by Patty Jenkins Starring Gal Gadot, Chris Pine, Robin Wright, Danny Huston, David Thewlis, Connie Nielsen, Elena Anaya and Lucy Davis
On the isolated, paradisaical island of Themyscira, Diana, daughter of Queen Hippolyta of the Amazons (Nielsen) is the only child on an island of women. Trained in combat by her aunt Antiope (Wright), Diana (who grows up into Gadot) is fascinated by the origin story of her people and their prophesied battle to destroy Ares, last of the Olympians and bringer of all wars.
Directed by Guy Ritchie Starring Charlie Hunnam, Àstrid Bergès-Frisbey, Djimon Hounsou, Aidan Gillen, Jude Law, Eric Bana
In the mists of historyish, the wise and valiant King Uther (Bana) is besieged by an army of barbarians and giant, infernal elephants led by the Mage Sorcerer Mordred, because if we’re going to fuck this myth then by God we’re going to fuck it hard and we’re going to fuck it from the word go. He defeats Mordred with the aid of the sword of awesomeness, Excalibur, but is betrayed by his brother Vortigern (Law). Uther and his Queen are murdered, but their son Arthur survives, floating downriver to Londinium.
Directed by Ridley Scott
Starring Christian Bale, Joel Edgerton, John Turturro, Aaron Paul, Ben Mendelsohn, Sigourney Weaver, Ben Kingsley
In Ancient Egypt, Pharaoh Seti I (Turturro) sends his son Ramses (Edgerton) and foster son Moses (Bale) to destroy a Hittite army massing near the border. In the battle, Moses saves Ramses’ life, completing the first part of a pre-battle prophecy that ‘a leader will be saved, and the saviour will one day lead’. Moses later visits the Hebrew slave works under Viceroy Ambiguously Queer Hedonist Scumbag (Mendelsohn; the character has a name, but names are actually pretty hard to come by in this film), and there learns from one of the elders (Kingsley) that he is in fact the child of a slave, floated down river during a cull of the slave population (and by ‘floated downstream’, I mean literally walked downriver into the hands of a childless princess by his sister.)
Directed by James Gunn Starring Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, Bradley Cooper, Michael Rooker, Karen Gillan, Pom Klementieff, Elizabeth Debicki, Chris Sullivan, Sean Gunn, Sylvester Stallone, Kurt Russell and David Hasselhoff
As always, the following review will not be spoiler free.
After an introduction set in 1980, introducing us to Peter’s mother and father (Russell) in happier times, celebrating their love and introducing alien species to an unprepared ecosystem, we flash forward to the Guardians doing a job for the Sovereign, a gold-skinned race of genetically engineered superbeings, in return for Gamora’s (Saldana) sister Nebula (Gillan). When Rocket (Cooper) angers the Sovereign, however, their High Priestess (Debicki) first sends ships after the Guardians, then hires Yondu (Rooker) and his Ravagers to pursue them.
Directed by Rupert Sanders Starring Scarlett Johansson, Michael Pitt, Pilou Asbæk, Chin Han, Juliette Binoche and ‘Beat’ Takeshi Kitano
Major Motoko Kusanagi, a human brain in a robot body (the ‘shell’ which holds her psyche/soul/’ghost’) pursues cyberpunk criminals in a cyberpunk world. I’ll be honest, this is about all I know except a) she has an active camouflage system in her robot skin and b) jumps off high roofs while looking into the camera. I will try to watch the anime (the actual original is a manga comic, originally titled ‘Mobile Armoured Riot Police’,) and maybe even Stand Alone Complex and the new movie (imaginatively entitled ‘The New Movie’.)
What we’re looking at here is of course the US remake starring Scarlett Johansson as Major Mira Killian, a woman whose refugee boat was blown up by terrorists, leaving her brain to be implanted in a robot body by not-even-slightly-dodgy corporate giants Hanka Robotics so that she can fight crime.
Directed by Dean Israelite Starring Dacre Montgomery, Naomi Scott, RJ Cyler, Becky G, Ludi Lin, Bill Hader, Bryan Cranston, Elizabeth Banks
After astronauts on the Moon open a space dumpster and release the space witch Rita Repulsa, space wizard Zordon and his irritating robot sidekick recruit five ‘teenagers with attitude’ to become the Power Rangers and battle Rita, launching a multi-series franchise which worked by revamping many largely unconnected Japanese super sentai series through a mix of voice dubbing and new footage for the Western market.
On primeval Earth, a team of armoured, alien warriors led by Zordon (Cranston) are killed battling an enemy named Rita (Banks), but drop a rock on her before she can seize the crystal she was pursuing. Millennia after, the town of Angel Grove has grown up over the site. High school football star Jason Scott (Montgomery) wrecks his future by sneaking a cow into a rival school’s locker room then crashing his car while fleeing police. He winds up in long-term detention with disgraced cheerleader Kimberley Hart (Scott) and autistic tinkerer Billy Cranston (Cyler), and the three of them end up at the town’s gold mine at the same time as the rebellious Trini (G) and reckless Zack (Lin) when Billy unearths a wall of volcanic glass from which they remove five medallions which quickly prove to have mysterious powers.