“The Hunt Has Evolved”
Directed by Shane Black
Starring Boyd Holbrook, Trevante Rhodes, Jacob Tremblay, Keegan-Michael Key, Olivia Munn, Thomas Jane, Alfie Allen, Sterling K. Brown and Yvonne Strahovsky
In 1987’s Predator, an alien hunter comes to Earth and stalks an elite US military rescue team led by Major Dutch Schaeffer (Arnold Schwarzenegger, at the height of his powers.) As in the previous year’s Aliens, it opened with all the trappings of a war movie – muscular action heroes of the 80s breed, mowing down hundreds of nameless enemies without regard to cover or return fire – and then throws these characters up against an unearthly foe that they are utterly unprepared to face. Both embracing and puncturing the machismo of the period, it is rightly remembered as a classic, and was followed by a sequel in 1990 which wasn’t half bad, and did the same thing with a violent action cop movie as Predator did with jungle warfare.
There followed a twenty year gap – I don’t count the Alien vs. Predator movies, because they were a pile of crap, and they didn’t show up until 14 and 17 years after Predator 2 anyway – before Predators in 2010, which pitted a group of abducted hardcases against a trio of bigger, better, faster, more Xtreme Predators on a planet which served as a game run. Predators was produced by Robert Rodriguez, who had plans for further sequels, but they never materialised.
Fast forward eight more years…
The Late Sequel
When a fugitive Predator (Brian A. Prince) crash lands in South America, US sniper Quinn McKenna (Holbrook) loses his unit. Fearing that he will be swept under the rug by the government, McKenna mails the Predator’s mask and wrist computer to a PO box and swallows a cloaking device, only for these to fall into the hands of his son Rory (Tremblay) when the PO box is closed and the package delivered to Rory and his mother, Emily (Strahovsky).